Nikola G. Nikolov
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Nikola Nikolov began his art education at the National school of applied arts in Sofia, Bulgaria, specializing in working with metal, as well as classical drawing and modeling. This led to being a protégé of the fashion designer Paco Rabanne in 1995. Nikola continued his art education at ABK Maastricht in 1996. After graduating from the Sandberg Institute of Amsterdam in 2002, Nikola transformed his method of working with discarded materials into the concept of Studio-Re-Creation in 2009.
Spreading intangible, embodied, and personal forms of knowledge is intricately related to how I strive to preserve cherished memories. An essential element in my work is the contrast between the rational functionality of the materials and the emotional meaning of objects.
Transforming the belongings of a client by integrating their personal identities into iconic objects, I interfere with this relationship changing it’s meaning. The new piece becomes a carrier for memories and knowledge that is cherished and fostered into the future. Transforming into a vessel for the owners’ energy rather then just a use-object.
Every art piece I make has multiple layers of meaning that transcend its material and tactile characteristics, like an object’s history, the memories of the owner en the value that is given to a ‘thing’. The exterior of a thing does not reveal the affinity one can have with an object and how valuable it is. This resides with in the eye of the beholder and is expressed through a dialogue with others.Nikola Nikolov began his art education at the National school of applied arts in Sofia, Bulgaria, specializing in working with metal, as well as classical drawing and modeling. This led to being a protégé of the fashion designer Paco Rabanne in 1995. Nikola continued his art education at ABK Maastricht in 1996. After graduating from the Sandberg Institute of Amsterdam in 2002, Nikola transformed his method of working with discarded materials into the concept of Studio-Re-Creation in 2009. Spreading intangible, embodied, and personal forms of knowledge is intricately related to how I strive to preserve cherished memories. An essential element in my work is the contrast between the rational functionality of the materials and the emotional meaning of objects. Transforming the belongings of a client by integrating their personal identities into iconic objects, I interfere with this relationship changing it’s meaning. The new piece becomes a carrier for memories and knowledge that is cherished and fostered into the future. Transforming into a vessel for the owners’ energy rather then just a use-object. Every art piece I make has multiple layers of meaning that transcend its material and tactile characteristics, like an object’s history, the memories of the owner en the value that is given to a ‘thing’. The exterior of a thing does not reveal the affinity one can have with an object and how valuable it is. This resides with in the eye of the beholder and is expressed through a dialogue with others.
Spreading intangible, embodied, and personal forms of knowledge is intricately related to how I strive to preserve cherished memories. An essential element in my work is the contrast between the rational functionality of the materials and the emotional meaning of objects.
Transforming the belongings of a client by integrating their personal identities into iconic objects, I interfere with this relationship changing it’s meaning. The new piece becomes a carrier for memories and knowledge that is cherished and fostered into the future. Transforming into a vessel for the owners’ energy rather then just a use-object.
Every art piece I make has multiple layers of meaning that transcend its material and tactile characteristics, like an object’s history, the memories of the owner en the value that is given to a ‘thing’. The exterior of a thing does not reveal the affinity one can have with an object and how valuable it is. This resides with in the eye of the beholder and is expressed through a dialogue with others.Nikola Nikolov began his art education at the National school of applied arts in Sofia, Bulgaria, specializing in working with metal, as well as classical drawing and modeling. This led to being a protégé of the fashion designer Paco Rabanne in 1995. Nikola continued his art education at ABK Maastricht in 1996. After graduating from the Sandberg Institute of Amsterdam in 2002, Nikola transformed his method of working with discarded materials into the concept of Studio-Re-Creation in 2009. Spreading intangible, embodied, and personal forms of knowledge is intricately related to how I strive to preserve cherished memories. An essential element in my work is the contrast between the rational functionality of the materials and the emotional meaning of objects. Transforming the belongings of a client by integrating their personal identities into iconic objects, I interfere with this relationship changing it’s meaning. The new piece becomes a carrier for memories and knowledge that is cherished and fostered into the future. Transforming into a vessel for the owners’ energy rather then just a use-object. Every art piece I make has multiple layers of meaning that transcend its material and tactile characteristics, like an object’s history, the memories of the owner en the value that is given to a ‘thing’. The exterior of a thing does not reveal the affinity one can have with an object and how valuable it is. This resides with in the eye of the beholder and is expressed through a dialogue with others.
General info
| Studio-Re-Creation | |
| Name: | Nikola G. Nikolov |
